This promotional video about Lily was shot very successfully.
Like I said before, there are basically all kinds of clothes.
These clothes were basically provided by Ryan, and they seemed to be the clothes bought for Lily in recent years.
It's a pity that because of the psychological trauma she suffered in her childhood, Lily rarely wears these things.
In fact, Nanaya recalled and found that except for the dress she wore on the day they met and the shrine maiden costume she wore during the Chinese New Year last year, Lily had never worn any clothes other than that white dress.
She had never even worn the kimono that Lily bought to hang in the office to show off.
It can be seen that this girl is indeed a little resistant to the idea of changing clothes.
So this time Ryan finally got the chance, and she changed Lily's clothes in various ways, from normal casual clothes to a bikini swimsuit.
The clothes Ryan took out dazzled Nanaya. There were three types of swimsuits alone: white bikini, black racing swimsuit and blue one-piece swimsuit.
These clothes have almost no repetition in color or style, which makes Nanaya admire Ryan's awesomeness.
Just buying these clothes would cost a lot of money.
Nanaya felt that as a cameraman, he had a feast for the eyes.
Lily was described by Ryan as a "doll on a clothes hanger", and this name is not wrong. At least Nanaya himself thinks that this name suits Lily very well.
Although her figure is not the best, Lily fits into almost all clothes, just like a Barbie doll.
Likewise, the only pity is that there is still a gap between Lily's chest and buttocks, which makes it difficult to show off low-cut clothes well.
Lily herself is very resistant to artificial silicone.
In her words, "If you wear it, you'll feel like a loser in life."
Although there were some regrets, Nanaya already felt very satisfied.
Especially with Ryan's consent, Nanaya followed the various outfits of Altria in his memory and chose similar styles from Ryan's clothes to replace them.
He even let Lily cosplay as Little Gray, which satisfied Nanaya's own little wish.
Even Shion was very interested in Lily's various outfits. While shooting the promotional video, she asked Nanaya to take a lot of photos.
"I'll go back and have someone sort out Lily's clothes. When the time comes, I'll make a photo album. It's sure to sell well."
Shion said with a grin.
"You guys...are you really that interested in my costume change?"
Lily said tiredly. Although she didn't like being treated like a hanger, she would still do her job well.
This is a basic quality of an idol, and it is much better than smearing cream and ink on the face.
But work is work, and she really has no interest in wearing these clothes.
If there is a piece of clothing that she really likes, Lily usually buys it directly and takes it home.
But she seldom puts it on on her own initiative, as she thinks changing clothes is too troublesome.
This is probably the result of the trauma left in my heart by my sister's fanaticism when I was a child.
"Yeah, I understand."
Nanaya nodded in agreement: "I also buy a lot of models just for fun, but I don't really unbox them."
"Director Nanaya, this is a complete waste..."
Lily complained, holding her forehead.
Shooting promotional videos and photo albums was just a minor episode for Nanaya and the crew.
After finishing this period, the two older sisters, Shion and Ryan, returned to Tokyo contentedly to their respective jobs.
But this is far from the end, but a beginning.
Meanwhile, Nanaya continued filming the movie.
From Nanaya's perspective, as long as he could restrain his expression a little and not show overly exaggerated emotions.
With Nanaya's acting skills, it is not difficult to handle the role of Shinji Matou.
After filming for a few more days, Nanaya finally finished polishing Shinji Matou's scenes.
At this time, Ori also finished the date scene between Rin and Shirou and returned to the church to prepare for filming the remaining scenes.
In fact, Ori completed the work 4 days earlier than Nanaya, but after learning that Nanaya had encountered some difficulties during the filming, he gave Nanaya some face.
It was not until Nanaya had almost finished the task that he showed up with his group of people.
Of course, Ori and his team were not idle during these few days. They dubbed the previously filmed scenes and returned to the warehouse to arrange other shot scenes in advance.
This can be regarded as a little bit speeding up the progress of the subsequent shooting.
After Nanaya finished the scenes with the priest and Shinji, he moved to the church basement and began filming several confrontations between Group C and the protagonist team.
As mentioned before, the character progression template for Emiya Shirou is "learning [the truth] from [lies]."
But this learning process is a process, and in every story the protagonist has to pay his own price to learn something.
For example, in "Spider-Man 1", Peter Parker lost his uncle, and in "Thor 1", Thor hurt his friends because of his recklessness and was deprived of his divine power by his father Odin.
This stage usually occurs in the second stage of a three-act play - [Challenged].
At this stage, the protagonist has left the [normal world] and entered his own adventure.
But at this time, the protagonist still believes in his own [lie], and his behavioral standards are still based on his own [lie].
So in this strange environment, the protagonist will be driven by [lies] to achieve what he wants.
Such thoughts and behaviors actually stem from the conservative nature of human beings.
People try hard to stay the same, they don't do unnecessary things, they don't take unnecessary risks.
However, such behavior is obviously wrong, so the protagonist will encounter a series of setbacks.
For Shirou Emiya, his credulity towards Shinji put the teachers and students of his school in danger.
Because of his naivety, Caster's plot succeeded and he lost Saber.
In screenwriting terms, the protagonist is now trapped between [old lies] and [new facts].
During this process, Shirou Emiya is constantly losing things that belong to him, which makes him confused, regretful and lost.
At this stage, Shirou Emiya has already noticed the [lies] and [truth]. He will move towards the [truth], but is still bound by the [lies].
After this, the protagonist will come to the midpoint of the story.
This midpoint is not a turning point for the protagonist, but the moment when he suffers the greatest blow.
There is a special academic term for this midpoint - [glorious moment].
Ironically, this word carries the connotation of "light", but it is the protagonist's darkest moment.
To put it simply, this [glorious moment] is the darkness before dawn, the last straw that breaks the camel's back.
At one point, the protagonist will truly realize the error of his or her [lie].
In UBW, this is the moment when Archer's identity is revealed to everyone, telling his past self that he is "Shirou Emiya".
"At this moment, everything about Shirou Emiya was denied, his ideals, his pursuits, and everything he believed was right."
On the set, Nanaya explained to Sugiyama: "You have to show Emiya Shirou's despair and confusion when facing Archer. This is crucial to the whole play."
"I see."
Sugiyama nodded, took a deep breath and thought for a while, then made an expression.
"Is that so?"
Nanaya looked at it for a while, then nodded.
"Okay, that's it. Everyone, take your positions!"
Nanaya yelled at the other people on the set.
"Where are the lights?"
"Here."
"Camera?"
"Here~"
"Very good, stage manager! Get ready to start."
Nanaya signaled that it was time to begin.
"Scene 123, Scene 56! Action!"
As the clapperboard sounded, Archer walked towards Shirou.
"Archer, what just happened is..."
Even though he had the answer, Emiya Shirou couldn't believe that fact.
"That's the end of your stupid dream."
Archer said coldly.
"Sure enough, you are..."
"Yes, Shirou Emiya, I am you, the one who is drowning in your stupid ideals!"
Archer took another step forward and took out his own weapon.
"My wish has never been a second life, nor any other wish. I have only one wish from beginning to end, and that is to kill my past self!"
Archer pointed the Gan Jiang Moye in his hand at Emiya Shirou.
This is the change that Nanaya made.
In the original game script, although it was hinted wildly up to this moment, the actual reveal that Archer was Shirou was not made until the castle duel.
Nanaya doesn't intend to learn how to handle game texts in this way.
If it is a novel or game text, this treatment is indeed a better choice.
Releasing the conflicts all at once before the battle allows the readers' accumulated emotions to be released in the subsequent battles.
But the way the movie handles it is not quite appropriate.
Because after the [Glorious Moment], what needs to be shown is the protagonist's change of mentality from the collapse of his three views, the whole person being confused and helpless to standing up again.
If the audience still watches the movie with the confusion of "Who is Red A?", their emotional investment in the protagonist will be reduced.
The direct consequence is that when the plot reaches its breaking point, the audience's emotions will not be in place and the desired effect cannot be achieved.
Don't say what has already been said explicitly or implicitly.
Not to mention, the moviegoers could be as old as 80 or as young as 8.
There are too many viewers who have insufficient comprehension ability and are simply unable to understand these explicit and implicit hints.
More importantly, those who come to watch Fate movies are all here for the summer blockbuster movies, and they just want to watch a movie for fun.
It's nonsense to think about the main and hidden plots. The right thing to do is to follow the storyline to the end.
Rather than expecting these viewers to think while watching the movie, it would be more practical to hope to get a triple yolk egg from the ten FGO lucky bags during the Chinese New Year.
In his previous life, Nanaya always saw comments saying that the plots of popcorn movies were brainless. The film producers wanted the movies to have brains, but the problem is that most of the audiences themselves don't have brains.
It's not that there aren't directors who can give hints throughout and still let the audience know what he's hinting at.
But Nanaya can't do it. Besides, there is no "original police" in this world. It is up to Shirou Emiya when she reveals his identity.